The boy helped his master, executed a few humble commissions on his own, and, as was customary at the time, studied classical art and drew from the nude. At the base of the statue, Daedalus' tools are scattered about; these tools are also an allusion to Sculpture, of which the statue is a personification. In 1779, he opened his own studio at Calle Del Traghetto at S. Maurizio,. Successful in the application, the stipend allotted amounted to three hundred ducats, limited to three years. Alexander the … Updates? He tinged the Neoclassical manner with other characteristics, but he also exemplified its typical features. Ring in the new year with a Britannica Membership, https://www.britannica.com/biography/Antonio-Canova-marchese-dIschia, Catholic Encyclopedia - Biography of Antonio Canova, Web Gallery of Art - Biography of Antonio Canova, Antonio Canova - Student Encyclopedia (Ages 11 and up). • Antonio Canova (1757-1822) Apollo Crowning Himself (1781) J Paul Getty Museum, Los Angeles. Antonio Canova, marchese d’Ischia, Italian sculptor, one of the greatest exponents of Neoclassicism. The first great exponent of the style in sculpture was an Italian, Antonio Canova (1757-1822), born at Possagno in the province of Treviso but active chiefly at Rome. When it was displayed in 1787, crowds flocked to see it. Antonio Canova Museus Vaticanos: Nome nativo Περσεύς Pais Zeus e Dânae: Filho(s) Perses, Alceu, Heleu, Mestor, Estênelo, Electrião, Gorgófona: Perseu ou Perseus (em grego: Περσεύς, transl. Title: Perseus with the Head of Medusa. In Vienna he worked on a funerary monument to Maria Christina (1798–1805) in the Augustinerkirche. A year later, his mother remarried. Loosely draped around Psyche’s lower body, a sheet further emphasizes the difference between the texture of skin and drapery. In 1775 Canova set up his own studio in Venice. The French invasion of Rome in 1798 sent Canova northward. The spread of COVID-19 has placed a halt on so many things in our lives, especially our ability to travel, causing many to cancel the vacations they had planned. Canova in 1805 was appointed inspector general of fine arts and antiquities of the papal state. At the Academy, he won several prizes. Our editors will review what you’ve submitted and determine whether to revise the article. Corrections? Antonio Canova nació en Possagno, un pueblo de la República de Venecia, situado en medio de las colinas de Asolo, donde se forman las últimas ondulaciones de los Alpes y que desaparecen en las llanuras de Treviso.Tras la muerte de su padre Pietro Canova, cuando él tenía tres años, un año más tarde su madre contrajo segundas nupcias dejándolo al cuidado de su abuelo paterno. Hebe, diosa de juventud, de Antonio Canova. In 1779 he sculpted Daedalus and Icarus which had been commissioned by Pisani, procurator of the Venetian republic; it was Canova’s first important work. 520 v. Chr. Often regarded as the greatest of the Neoclassical artists, his artwork was inspired by the Baroque and the classical revival, but avoided the melodramatics of the former, and the cold artificiality of the latter. Apostoli. There he became an active and influential figure in the artistic life of the city and was always willing to help young artists and find them patrons. The full text of the article is here →, http://en.wikipedia.org/wiki/Antonio_Canova. (Antonio Canova, 1804–1806) Gorgonenhaupt auf einer attischen Drachme, ca. During this time, he was given his first workshop within a monastery by some local monks. In 1810 he was made president of the Accademia di S. Luca in Rome (a position he was to hold for life). Afterwards, he was under the tutelage of Giovanni Ferrari until he began his studies at the Accademia di Belle Arti di Venezia. Among his works are the tombs of popes Clement XIV (1783–87) and Clement XIII (1787–92) and statues of Napoleon and of his sister Princess Borghese reclining as Venus Victrix. In 1770, he was an apprentice for two years to Giuseppe Bernardi, who was also known as 'Torretto'. Indeed, at the age of nine, he executed two small shrines of Carrara marble, which are still extant. In 1811 he completed two colossal statues of Napoleon, in which the emperor is shown as a heroic classical nude. Prior to his departure, his friends had applied to the Venetian senate for a pension. The statue depicts the victorious Theseus seated on the lifeless body of a Minotaur. …most important Italian Neoclassicist was Antonio Canova, the leading sculptor—indeed, by far the most famous artist of any sort—in Europe by the end of the 18th century. Canova was buried at Possagno in a temple designed by himself in imitation of the Pantheon in Rome. In 1757, Antonio Canova was born in Possagno to Pietro Canova, a stonecutter. While every effort has been made to follow citation style rules, there may be some discrepancies. Johann Gottfried Schadow (1764-1850) The Crown Princesses Louise & Friedrike of Prussia (1797) Berlin. Omissions? • Bertel Thorvaldsen (1770-1884) Jason with the Golden Fleece (1802-3) Thorvaldsen Museum, Copenhagen. In 1808 he finished one of his most famous works, in which he shows Napoleon’s sister, Pauline Borghese, reclining almost naked on a couch as Venus Victrix—a fusion of classical goddess and contemporary portrait. “Sublime,” “superb,” and “marvelous” are adjectives frequently found describing Canova’s work in his lifetime, although his reputation as a sculptor declined considerably during the following century. The differences between…, The works of Antonio Canova and Bertel Thorwaldsen are typical in this regard. The latter’s “David” (1623-24) is an energetic work, capturing the hero mid-action and encapsulating the dynamic spirit of the Baroque Era. Perseo trionfante (1797-1801), statua in marmo di Antonio Canova, che si trova nei Musei Vaticani a Roma; Perseo, protetto da Minerva, pietrifica Fineo, dipinto di Jean-Marc Nattier del 1718 conservato a Tours; un'intera serie dedicata al mito di Perseo del preraffaellita Edward Burne-Jones; Nel cinema In 1781, Girolamo Zulian – the Venetian ambassador to Rome – hired Canova to sculpt Theseus and the Minotaur. All content from Kiddle encyclopedia articles (including the article images and facts) can be freely … He was created a The statues were begun in 1775, and both were completed by 1777. At this time, Procurator Pietro Vettor Pisani commissioned Canova's first marble statue: a depiction of Daedalus and Icarus. Get a Britannica Premium subscription and gain access to exclusive content. Before the age of ten, Canova began making models in clay, and carving marble. Articles from Britannica Encyclopedias for elementary and high school students. The initial spectators were certain that the work was a copy of a Greek original, and were shocked to learn it was a contemporary work. Please refer to the appropriate style manual or other sources if you have any questions. He returned briefly to Venice, but in 1781 he was again in Rome, where he was to spend most of the rest of his life. Canova, the son of a stonemason who died in 1761, was reared by his grandfather, also a stonemason. Author of. Canova’s domination of European sculpture at the turn of the 18th century and the beginning of the 19th is reflected in countless adulations in memoirs, poems, and newspapers. But while we may be stuck inside, that doesn’t mean we can’t have some new experiences in the meantime. The highly regarded work is now in the collection of the Victoria & Albert Museum, in London. Romantic and modern depictions include Perseus with the Head of Medusa by Antonio Canova (1801) and Perseus, a sculpture by Salvador Dal í. Twentieth century artists whno tackled the Medusa theme include Paul Klee, John Singer Sargent, Pablo Picasso, Pierre et Gilles, and Auguste Rodin. While in Rome, Canova spent time studying and sketching the works of Michelangelo. Theseus and the Minotaur (1781-83), Victoria and Albert Museum, London. That same year he was commissioned to execute a tomb in St. Peter’s to Pope Clement XIII. The pieces explify the late Rococo style. Culture: Italian, Rome. Antonio Canova (Italian pronunciation: [anˈtɔːnjo kaˈnɔːva]; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures.Often regarded as the greatest of the Neoclassical artists, his artwork was inspired by the Baroque and the classical revival, but avoided the melodramatics of the former, and the cold artificiality of the latter. He was created a marquis for his part in retrieving works of art from Paris after Napoleon’s defeat. Antonio Canova (Italian pronunciation: [anˈtɔːnjo kaˈnɔːva]; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. They include a few portraits and re-creations of antique paintings discovered at Herculaneum. Canova arrived in Rome, on 28 December 1780. Canova was also a painter, but his paintings (mostly in the Gipsoteca Canoviana at Possagno) constitute a minor part of his works. Widely praised, the works won Canova his first renown among the Venetian elite. Rough texture provides the basis of the rock upon which the composition is placed supplementing the distinctions of elements. Subsequent tombs were increasingly Neoclassical and combined restraint with sentiment, in a manner akin to the work of Canova’s English contemporary, John Flaxman. In the same year (1768) Bernardi moved his studio from provincial Pagnano to Venice, and Canova went with him. En la mitología griega, Hebe (en griego antiguo Ἥβη Hêb ê) era la personificación de la juventud, descrita como hija de Zeus y Hera. Darstellungen ... Claudels Perseus liegt die enthauptete, geflügelte Medusa zu Füßen; Perseus hält das Haupt in seiner Linken und lässt es in einen Spiegel in seiner Rechten blicken. Medium: Marble. Other late commissions included the Stuart monument in St. Peter’s (1819), the alteration and completion of the equestrian Napoleon into Charles III of Naples (1819), and a monument of George Washington (1820; destroyed by fire in 1830), idealized in Roman costume, erected at Raleigh, N.C., in 1821. Artist: Antonio Canova (Italian, Possagno 1757–1822 Venice) Patron: Commissioned by Count Jan and Countess Valeria Tarnowski (Dzików, Poland) Date: 1804–6. Antonio Canova emerged as a major figure of neo-classicism for his works “Psyche Revived by Cupid’s Kiss” (1787-93) and “Perseus with the Head of Medusa” (1804-06). But on the whole the Renaissance concept of relief prevailed, and its dramatic and emotive possibilities were keenly and vigorously employed by such subsequent 19th-century sculptors as François Rude in, …imitation of the works of Antonio Canova.…. Somewhat Rococo in style, the figures were considered so realistic that the sculptor was accused of making plaster casts from live models. He sculpted his well-known Three Graces from 1812 to 1816. In the Napoleonic period he had also begun carving some of his most expressive and ambitious pieces, Perseus with Medusa’s Head (1801) and the Pugilists (1802). The statue inspired great admiration for his work at the annual art fair; Canova was paid for 100 gold zecchini for the completed work. He spent part of 1802 in Paris working on a bust of Napoleon, and in 1806 Joseph Bonaparte commissioned an equestrian statue of Napoleon. In 1802, at the Pope’s instigation, he accepted Napoleon’s invitation to go to Paris, where he became court sculptor and considerably influenced French art. “Psyche Revived by Cupid’s Kiss” is a major work by 18th-century sculptor Canova. Canova’s position in the following 20 years may be compared only to that enjoyed by Bernini in the 17th century. 提着美杜莎头颅的珀尔修斯（Perseus with the Head of Medusa），这个雕塑的作者是Antonio Canova（1757-1822），作品比人出名，他还有一座更著名的丘比特与普赛克雕塑（Psyche Revived by Cupid's Kiss），藏于卢浮宫。 [3]. The success of his mission in Paris led to the reward of the title of marquis of Ischia by the Pope. With such an intention, there is suggestion that Daedalus is a portrait of Canova's grandfather Pasino. Professor and Chairman, Department of History of Art, University of Aberdeen, Scotland. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. Canova was as important in the development of the Neoclassical style as Jacques-Louis David in painting. Under the protection of a Venetian senator, Canova, at the age of 11, went to work with the sculptor Giuseppe Bernardi (called Torretti), who lived at Pagnano (Asolo). As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". Completed in 1792, it shows a more developed understanding of the classical aesthetic of antiquity than his monument to Clement XIV. In 1783 Canova received an important commission for the tomb of Pope Clement XIV in the Roman church of SS. Antonio Canova, marchese d’Ischia, (born Nov. 1, 1757, Possagno, Republic of Venice—died Oct. 13, 1822, Venice), Italian sculptor, one of the greatest exponents of Neoclassicism. Antonio Canova's fine technique in carving marble contrasts their realistic smooth skin with the surrounding elements. After these works, he appears to have been constantly employed under his grandfather. While in London, the Prince Regent, later George IV, commissioned a life-size group of Venus and Mars. He led Antonio into the art of sculpting. Canova visited Naples and the ancient archaeological sites of Herculaneum, Pompeii, and Paestum. This marble sculpture whose theme is inspired by ancient mythology is displayed in the Michelangelo Gallery at … Canova was in Rome in 1779 and 1780, where he met the leading artists of the period, including the Scottish painter-dealer Gavin Hamilton, who directed Canova’s studies toward a more profound understanding of the antique. In 1761, his father died. After having visited Paris to arrange for the return of Italian art treasures plundered by the French, he went to London (1815) to give his opinion on the Elgin Marbles. Among his works are the tombs of popes Clement XIV (1783–87) and Clement XIII (1787–92) and statues of Napoleon and of his sister Princess Borghese reclining as Venus Victrix. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Dimensions: Overall (confirmed): H. 95 1/2 x W. 75 1/2 x D. 40 1/2 in. Let us know if you have suggestions to improve this article (requires login). The Senator Giovanni Falier commissioned Canova to produce statues of Orpheus and Eurydice for his garden – the Villa Falier at Asolo. On the year of its completion, both works were exhibited for the Feast of the Ascension in Piazza S. Marco. 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